How intellectual property is protected<\/h2>\n
According to Entrepreneur.com<\/em>, there are three ways to protect intellectual property in the United States. One can do so through the use of trademarks, copyright and patents.<\/p>\n Voiceover can be protected by copyright<\/a>. Other categories of work protected by copyright are: literary works; musical works, including any accompanying words; dramatic works, including any accompanying music; pantomimes and choreographic works; pictorial, graphic and sculptural works; motion pictures and other audiovisual works; sound recordings; architectural works; computer programs (sometimes the graphical user interface); and websites. Entrepreneur.com<\/em> hastens to explain that ideas are not protected by copyright. Copyright protects the expression of the idea, not the ideas themselves. Copyright protection gives the copyright holder the exclusive right to copy the work, modify it, and distribute, perform and display the work publicly.<\/p>\n The trade in voiceover work is a voice talent\u2019s voice, which a client pays for. Once it is bought and paid for, the voiceover work becomes the purchaser\u2019s property. There might be some contention here, so it is advised that before you work with a client, you review the script and ask all the questions that you can. Are there terms and conditions you should know about? Where will the recording be used? Will you be given credit for your work? How long do they plan to use the recording? Will there or will there not be royalty pay, especially for audiobook voiceover<\/a> projects? Are they willing to pay for additional licensing? Negotiate with your client if you think you deserve more than what is being offered. Come to an agreement or walk away. Simple, and yet not so simple. However, like all business transactions, you want to make sure that everything is laid on the table before you come to an agreement. In addition, ensure that you do things in writing, for example, when asking for permission to use the recording on your own website. That way, no one can go back and say permission was not granted and you are infringing on their rights.<\/p>\n Ask these before you press record \u00a9 The Voice Realm<\/p><\/div>\n Another example of this is mimicking the voice of a famous personality or a celebrity on your demo. If an impersonation misleads the listener into thinking they are hearing a real celebrity endorsement, then the real celebrity can take legal action. Theories include appropriation of personality and passing off. Even if your intent is not to mislead, it is still best to ask for permission or consent and, again, to do so in writing.<\/p>\n Was there a time you had to learn any of these the hard way?<\/span><\/p>\n","protected":false},"excerpt":{"rendered":" What copyright actually covers in voice work, the questions to ask a client before you record, and why impersonating a celebrity can land you in court.<\/p>\n","protected":false},"author":9,"featured_media":2103,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[279,36],"tags":[417],"class_list":["post-2090","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-voice-over-business","category-voice-over-industry","tag-intellectual-property"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\tWhen the client owns your recording<\/h2>\n
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The risk of celebrity impressions<\/h2>\n