{"id":2102,"date":"2016-10-20T22:53:41","date_gmt":"2016-10-21T03:53:41","guid":{"rendered":"https:\/\/www.thevoicerealm.com\/blog\/?p=2102"},"modified":"2025-10-27T04:22:29","modified_gmt":"2025-10-27T09:22:29","slug":"film-noirs-role-in-voiceover","status":"publish","type":"post","link":"https:\/\/www.thevoicerealm.com\/blog\/film-noirs-role-in-voiceover\/","title":{"rendered":"Film Noir\u2019s Role in Voiceover"},"content":{"rendered":"<p>Let us first note that Film Noir is not a genre. Rather, it is the style, the point of view, the mood, or tone of a film. <em>Filmsite.org<\/em> fully defines it as usually referring to a distinct historical period of film history, specifically to the decade of film-making after World War II, a period that is likened to the German Expressionism or the French New Wave periods. The term Film Noir was coined by the French film critics, Nino Frank the first among them in 1946. The term translates to \u2018black film or cinema.\u2019 They noticed the dark, downbeat and black looks and trending themes that were of American crime and detective themes. It was after World War II that these films were released in France. These films often mirrored the consequential tension and insecurities of post war era where fear, paranoia, weariness and distress permeated the air people breathe. It made the violent, misogynistic, violent and greedy outlook of anti-heroes of Film Noir. It became the metaphor to society\u2019s evils and symbolic of the undercurrent moral conflict and sense of injustice. Noirs rarely had happy and optimistic endings which became its appeal.<\/p>\n<p>More often than not, the plot of a Film Noir evolved around a cynical, hard-hearted, disillusioned male character accompanied with a narrative voiceover. <em>Narrative Innovations in Film Noir<\/em> published by <em>moderntimes.com<\/em> provides us with an example where Fred MacMurray as Walter Neff in <em>Double <a href=\"https:\/\/www.thevoicerealm.com\/blog\/wp-content\/uploads\/2016\/10\/Film-Noir-Photo-Shoot-Portland-Lightist-by-Randy-Kashka.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-2109 alignleft\" src=\"https:\/\/www.thevoicerealm.com\/blog\/wp-content\/uploads\/2016\/10\/Film-Noir-Photo-Shoot-Portland-Lightist-by-Randy-Kashka-300x200.jpg\" alt=\"Noir Photo Shoot - Portland Lightest\" width=\"281\" height=\"187\" srcset=\"https:\/\/www.thevoicerealm.com\/blog\/wp-content\/uploads\/2016\/10\/Film-Noir-Photo-Shoot-Portland-Lightist-by-Randy-Kashka-300x200.jpg 300w, https:\/\/www.thevoicerealm.com\/blog\/wp-content\/uploads\/2016\/10\/Film-Noir-Photo-Shoot-Portland-Lightist-by-Randy-Kashka-768x512.jpg 768w, https:\/\/www.thevoicerealm.com\/blog\/wp-content\/uploads\/2016\/10\/Film-Noir-Photo-Shoot-Portland-Lightist-by-Randy-Kashka.jpg 1024w, https:\/\/www.thevoicerealm.com\/blog\/wp-content\/uploads\/2016\/10\/Film-Noir-Photo-Shoot-Portland-Lightist-by-Randy-Kashka-720x480.jpg 720w, https:\/\/www.thevoicerealm.com\/blog\/wp-content\/uploads\/2016\/10\/Film-Noir-Photo-Shoot-Portland-Lightist-by-Randy-Kashka-192x128.jpg 192w\" sizes=\"(max-width: 281px) 100vw, 281px\" \/><\/a>Indemnity<\/em> arrives at his office in the middle of the night and delivering into a dictating machine his confession for killing a man\u2014 for money (pause) and for a woman\u2026 He would then have occasional flashbacks throughout the film that are narrated by his voiceover confession. Another example by the article is <em>Detour<\/em> where the male protagonist\u2019s voice over (Tom Neal) persistently addresses an impersonal \u201cyou\u201d giving the spectator the impression that he or she is the person spoken to\u2013and assumes that the listener is smug, unsympathetic, and unbelieving. The cynical male character then meets a beautiful but promiscuous, double-dealing and seductive female with no moral standards who would use her sexuality, her feminine wiles to &#8211; driven by her ambition &#8211; manipulate the male character to do what she wants which is often to make him her fall guy, and often following a murder. Betrayal, double crossing and glimpse of how they became the way they are with the women usually destroying themselves to save the hero\u2019s life. Women back in the 1940\u2019s were still grasping their new found independence as they were given better job-earning power in the homeland during the war. Probably not used to this, the woman was still portrayed as suffering on screen.<\/p>\n<p><em>Narrative Innovations in Film Noir<\/em> describes voiceover and flashback as the persistent style and narrative elements of Film Noir. While <em>Double Indemnity<\/em> carefully clues the spectator in as to who is speaking, when they are speaking, and from where they are speaking, other films use voiceover and flashback temporarily and more ambiguously. So much so that audiences often need to inquire about the motives of <a href=\"http:\/\/www.voiceoverherald.com\/?s=narrative\" target=\"_blank\" rel=\"noopener\">narrative voices<\/a>, how much they know and whether they are telling the truth, when and to whom they are speaking. At any rate, Film Noirs encouraged the brooding, thoughtful personalities among its audiences. A weary post war population was the perfect breeding ground for this style of film.<\/p>\n<p>Mostly shot in gloomy shades of gray, black and white and thematically allowing the display of the dark and inhumane side of human nature coupled with cynicism and doomed love, these films also emphasized the brutal, unhealthy, shadowy, dark and sadistic sides of human experience. Be that it may be, Film Noir has become an art, a style that audiences in the modern era yearn for and is being shown even today. The <a href=\"https:\/\/www.thevoicerealm.com\/narration-voices.php?skills=7\" target=\"_blank\" rel=\"noopener\">voiceover narration<\/a> and the brooding scenes are a stark contrast to today\u2019s film types with their loud accompanying music, psychedelic bright scenes and crass dialogue are almost garish next to a Film Noir.<\/p>\n<p>Who would be your favorite Film Noir voiceover narrator?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Let us first note that Film Noir is not a genre. Rather, it is the style, the point of view, the mood, or tone&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":2108,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[36,425],"tags":[418],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.thevoicerealm.com\/blog\/wp-json\/wp\/v2\/posts\/2102"}],"collection":[{"href":"https:\/\/www.thevoicerealm.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thevoicerealm.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thevoicerealm.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thevoicerealm.com\/blog\/wp-json\/wp\/v2\/comments?post=2102"}],"version-history":[{"count":4,"href":"https:\/\/www.thevoicerealm.com\/blog\/wp-json\/wp\/v2\/posts\/2102\/revisions"}],"predecessor-version":[{"id":4688,"href":"https:\/\/www.thevoicerealm.com\/blog\/wp-json\/wp\/v2\/posts\/2102\/revisions\/4688"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thevoicerealm.com\/blog\/wp-json\/wp\/v2\/media\/2108"}],"wp:attachment":[{"href":"https:\/\/www.thevoicerealm.com\/blog\/wp-json\/wp\/v2\/media?parent=2102"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thevoicerealm.com\/blog\/wp-json\/wp\/v2\/categories?post=2102"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thevoicerealm.com\/blog\/wp-json\/wp\/v2\/tags?post=2102"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}