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Movie trailer voice overs
That trailer voice. Yours for a day.
The deep, slow, cinema-sized read that makes a product launch feel like an opening weekend. Trailer voices here read your script free, and the rate is the one on the card.
- Free auditions of your script
- Published rates, no haggling
- Files back within 48 hours
On the prompterTake 1
TRAILER · :30 · CINEMA
Deep and slowBig pausesMusic under
The trailer voices
Built for the big screen.
Every voice here has a trailer demo on their profile. Press play and hear how low the floor goes.
Voices who record this kind of work. Names are first names only until you book.
Every trailer voice on the rosterWhat a trailer read needs
Slow down. Leave room.
Fewer words than you think
A thirty-second trailer read carries forty to fifty words, not eighty. The pauses are where the drama lives, so cut the script until it breathes.
Written for the bottom of the voice
Short sentences, hard consonants, one idea per line. Trailer voices work at the bottom of their range, and long clauses fall apart down there.
Room for the music
Ask for a dry read plus a version with longer gaps. Your editor lays the swell and the hits between the lines instead of under them.
How hiring works here
Three steps, no middleman.
You deal with the voice, the site holds the money, and the price is the one on the rate card before you start.
Post a casting, or pick a voice
Paste a few lines of your script and post a free casting; voices who suit it read those lines back to you. Already heard the one you want? Book them straight from their profile.
Choose from real reads
Auditions arrive as recordings of your words in their voice, usually within hours. Pick the one that fits, or none of them. Nothing is owed until you book.
Pay once, files arrive
The price comes off the published rate card, paid to the site before recording. Most jobs come back within 24 to 48 hours, covered by the satisfaction guarantee.
Trailers, promos and launch videos are priced by usage on the rate card: a cinema or broadcast run is a licence, an internal launch video is a buyout.
Questions people ask
Before you book the big voice.
Do you only have male trailer voices?
No. The classic trailer sound is a low male voice, but there are female trailer voices on the roster too, and they are increasingly what studios book for drama and thrillers. Filter the listing by gender or ask for both in one casting.
Can a trailer voice do a promo for a small business?
That is most of the work. Local cinema ads, gym launches, product reveals, event promos: the trailer read makes a small budget sound huge. Post the script and the voices will show you.
How long should a trailer script be?
Forty to fifty words for thirty seconds, seventy to ninety for sixty. If you cannot cut it that far, book a promo read instead, which moves faster and still lands.
Is a trailer voice licensed differently?
Only when it airs. TV, cinema and paid online spots carry a twelve-month licence; a launch video on your own site or a trade show loop is a one-off buyout. The rate card shows both before you book.
In a world where you need a big voice...
Paste the script, hear it read by real trailer voices, book the one that gives you chills. Nothing to pay until you do.