How to Act in Audio Drama When the Mic Is Your Whole Stage
Mic positions, moves, spot effects, script mark-up and listening: how voice actors play a scene in audio drama, radio plays and fiction podcasts.
Mic positions, moves, spot effects, script mark-up and listening: how voice actors play a scene in audio drama, radio plays and fiction podcasts.
Where to cut, what to boost and how hard to squeeze: EQ and compression for voice actors, with starting settings that still sound like you.
Larry Wayne used to be listed on several voice sites. Now it is just one. In his own words: the team, a client every week since 2014, and racing for the top 10.
Irene Ziegler has been a Voice Realm voice actor for more than fifteen years. In her own words: more auditions, repeat clients, help in seconds, and two thumbs up.
From twenty years as an actor to voicing for clients on several continents from Brisbane: Alexandra McTavish on The Voice Realm, the read that clicks, and why your own voice is your greatest asset.
The government wants every home to keep an FM radio. Why the Be Ready campaign is voice work, and how British voiceover artists can read for trust.
Triple M has gone racing for the Melbourne Cup. What the people who call the race can teach Australian voice over artists about prep, pace and the tag.
Usage, term, territory, exclusivity, payment and the AI clause: what to check in a voice over contract and how to ask for changes without losing the job.
Safe headphone levels, where a voice actor's day gets loud, free habits that protect your ears, and what ringing ears and a hearing test can tell you.
Two voice actors, Brisbane and Spain, answer the same six questions about clients, castings and why they tell other voices to join The Voice Realm.