Rhubarb, Rhubarb: Inside the Loop Group, Where Voice Actors Play the Crowd
What loop group and walla work really is, how a session runs, the research it takes, and how voice actors find a way in when there are no casting calls.
What loop group and walla work really is, how a session runs, the research it takes, and how voice actors find a way in when there are no casting calls.
UK radio has never had more listeners, and the Christmas stations are switching on. What the new RAJAR figures mean for British voiceover artists.
An ABC sport caller says broadcasters have to get names right. What that means for Australian voice over artists reading names, places and brands.
Bette Midler, Tom Waits and the ELVIS Act: what the law says about sound-alike voice work, and the questions to ask before you take the job.
The government wants every home to keep an FM radio. Why the Be Ready campaign is voice work, and how British voiceover artists can read for trust.
Triple M has gone racing for the Melbourne Cup. What the people who call the race can teach Australian voice over artists about prep, pace and the tag.
Usage, term, territory, exclusivity, payment and the AI clause: what to check in a voice over contract and how to ask for changes without losing the job.
A Royal Mail ad, a late narrator's voice and the family who heard it. Why credibility keeps brands booking real voice actors over AI.
Every MEAA voice over rate in force for 2026, what super and the extras add, why fees have stalled, and why most Australian briefs now book non-union.
The BBC is closing Radio 4 Extra as a broadcast service. Why Equity says audio artists lose repeat income, and what it means for UK voiceover artists.