How to Calm Audition Nerves Without Trying to Calm Down
Shaky voice, dry mouth, racing heart? What audition nerves do to your sound, and the simple, research backed tricks that turn them into energy.
Shaky voice, dry mouth, racing heart? What audition nerves do to your sound, and the simple, research backed tricks that turn them into energy.
Listeners really can hear a smile, and their own faces answer it. What a smile does to your sound, how to make it real and how much each job wants.
Real speakers, word families, the tune and the mouth shape: a four week home plan for an accent that holds up through a whole voice over session.
What vocal fry is, how listeners judge it, whether it harms your voice, and how to lift the ends of your lines or keep the creak on purpose.
Handed a script you've never seen? How cold reading works, drills that keep your eyes a phrase ahead, and how to recover from a stumble.
A ten-minute vocal warm-up for voice actors: body, breath, straw bubbles, lip trills, sirens and diction, plus what voice clinics say about each step.
What animation directors listen for, how sessions really run, what goes on a first animation demo, and a sensible path from stage time to auditions.
Blocked nose or hoarse voice? How to decide whether to record, what to tell the client, and how to look after your voice and come back sounding like you.
A pass by pass way to mark up a voice over script: thought groups, focus words, turns, breaths and timing, with a worked example you can copy.
Build a character voice from the person outward, the six dials you can turn, how to keep it steady all session, and how to protect your voice while you play.