Bedtime Is a Tough Room: Narrating Children’s Audiobooks
Picture books to YA: how children's audiobook narrators pace a story, build characters kids can follow and sound the right age, with advice from the field.
Picture books to YA: how children's audiobook narrators pace a story, build characters kids can follow and sound the right age, with advice from the field.
What narrating a museum audio guide asks of a voice actor: reading for someone looking at art, short stops, wayfinding lines and takes that match.
What corporate narration covers, how to find the friendly expert read, handle jargon and slide cues, keep a series consistent and win repeat clients.
A cast list, four small dials and a reference clip per character: how narrators voice every character, including the opposite sex, without overdoing it.
What working narrators do, what voice research says about tired voices, how to build breaks into a long recording day, and the signs it's time to stop.
How to record audiobook and voice over pickups that match the original: setup notes, mic position, time of day, listening first and checking the join.
Fremantle Press wants Western Australian voice over artists for its first children's audiobooks. What it asked for, the books, and how to send a strong read.
How to voice a guided meditation: the voice to use, how slowly to read, how to time silences and breaths, and how to record and edit all that quiet.
An ANU survey found Australians mostly hear American narrators on audiobooks. What it means for Australian voice over artists and the people who cast them.
Three days in Warwick, run by working narrators. What a UK audiobook narration conference says about the craft, and what to do at home if you missed it.