Why You’re Auditioning but Not Booking Voice Over Work (And What to Do About It)
Plenty of auditions but no bookings? The common reasons why, from misreading the brief to noisy audio, plus checks to run before you submit.
Plenty of auditions but no bookings? The common reasons why, from misreading the brief to noisy audio, plus checks to run before you submit.
Inga, a Melbourne voice artist, on falling into voice overs via a chance chat on a boat cruise, six years in radio, and nearly quitting.
Three habits that get auditions heard on pay-to-play sites: submit early, keep the sound professional, and only go for roles that suit your voice.
Competition for voice over work is stiffer than ever, so stop complaining and get better. Advice on demos, deadlines, and how you talk to clients.
Why brand names and impressions don’t belong in your demo reel, plus advice on splitting demos by category, showing range, and getting the sound right.
What actually makes a voice actor “professional”? A look at the habits shared by the talent clients keep booking again and again.
Why some voice actors keep booking work: skip the credits list, sell it in the first 10 seconds, normalize your audio, and treat clients well.
Voice actor Marc follows a record month with a week of nothing but rejections, and uses baseball to explain why you keep stepping up to the plate.