Me and My Voice Over Counterpart
Creative people are playful and dogged, humble and proud. A look at how voice actors reconcile those halves and keep going after rejection.
Creative people are playful and dogged, humble and proud. A look at how voice actors reconcile those halves and keep going after rejection.
Why video ad budgets get eaten up by research, targeting and promotion, and what that means for voice actors chasing the big project.
Four dubbing actors, from Mexico to China, on matching lip movements, working to brutal deadlines, and why their names rarely hit the credits.
Six steps to prep before you negotiate, from research to knowing who actually makes the call, with voice over examples along the way.
Film noir is more mood than genre. A look at how voiceover narration and flashbacks shaped it, with examples from Double Indemnity and Detour.
What copyright actually covers in voice work, the questions to ask a client before you record, and why impersonating a celebrity can land you in court.
Digital video ad spending keeps climbing, and that means more voice work. Plus why your home studio sound could be costing you bookings.
A look at the steps behind a brand’s ad, from defining the audience to placing it, and why the script’s already locked by the time you’re hired.
Jim, a Philadelphia voice actor with an arts management day job, talks basement studio setup, his Groucho Marx impression, and starting late.
Mr. Robot’s quiet second season raises a fair question: when does a show need voiceover narration, and when is silence the better call?