Voice Over Business Page 19. Running your voice over career like a business: rates, contracts, clients, invoicing and the habits that keep the work coming in.

Dan, a UK voice actor who came up through audio production, talks promos, mic choices for a home studio, and what makes his auditions land.

Mark, an Australian singer and actor, talks about landing the national iPhone voice gig, taking direction well, and finding work online.

Christina, a Canadian voice actor, on leaving finance for commercials and narration, recording around nap times, and her home booth setup.

A side-by-side look at real June 2015 castings, comparing what the same jobs paid on another casting site versus here, and why set rates matter.

Why a great voice isn't enough on its own, plus the university programs, workshops and coaching options that teach the acting side.

Radio imaging is a station's signature sound. A breakdown of sweepers, intros, bumpers, stingers and drops, plus a format guide by audience.

How VocaliD builds custom synthetic voices for speech-impaired people, and why voice actors are well suited to donate a few hours of plain reading.

What goes wrong when an untrained voice records your explainer video, and what a pro brings to commercials, narration and IVR.

Survey results from voice talent are in, including what they like, what bugs them, and why the same names keep landing repeat bookings.

Larry started in radio and has been selling his voice for three decades. He talks e-learning work, home studios, and keeping the radio out.