Need To Create a Voice Over Demo?
Why brand names and impressions don’t belong in your demo reel, plus advice on splitting demos by category, showing range, and getting the sound right.
Why brand names and impressions don’t belong in your demo reel, plus advice on splitting demos by category, showing range, and getting the sound right.
What a voice over agent actually does, how to tell if you’re ready for one, and the red flags to dodge, like pay to audition setups.
What goes into a business voicemail greeting, with sample scripts for internal, external and out of office messages, and why a pro voice helps.
Serena, a British voice actor who spent 20 years voicing news and documentaries in Berlin, talks home studio gear, difficult clients and self-marketing.
Dorien, a New England broadcaster turned voice actor, talks about juggling multiple pay-to-play sites and how he decided which ones to keep.
Ethan trained in theater before going full-time in VO. He talks characters, marketing yourself as a bilingual talent, and his daily schedule.
Erika is a native Spanish voice actor in California. She talks translation work, recording a national spot on a walker, and home studio advice.
Losing a long-time client can shake even seasoned pros. Why a coach, or a few specialists in other genres, still helps once you’re established.
In Argentina, voice actors need a government license. Natan, a Spanish voice actor, talks about earning his, his studio gear, and tricky clients.
Gale has been voicing since 1985, back when editing meant a razor blade. She talks working from home in Connecticut and where the industry’s headed.