How Important is a Voiceover Demo?
When a professionally produced demo actually matters, and when it doesn’t. A look at the agent route versus going the home studio way.
When a professionally produced demo actually matters, and when it doesn’t. A look at the agent route versus going the home studio way.
Paul, an Austin voice actor and producer, on the Emmy he won in Albuquerque, building character voices as a kid, and nailing explainer reads.
Adam, a Chicago voice actor, got his start in Seoul after an offhand dinner comment. He talks training, audiobook favorites and booth setup.
The nine Greek Muses and what each one presides over, plus why a voice actor alone in a booth doing retakes might want one of their own.
Swiss researchers used quantum physics and an array of 270 pendulums to build a material that blocks sound entirely, and can even steer it.
Global social media rankings put QQ, WeChat and QZone near the top, and that’s worth knowing if you’re marketing your voice work to Asian clients.
Four dubbing actors, from Mexico to China, on matching lip movements, working to brutal deadlines, and why their names rarely hit the credits.
A 2002 Guardian column by a working actor gets a second look, and aside from home studios, surprisingly little about voice over has changed.
Christina, a busy Canadian voice actor, talks repeat clients, long e-learning narrations, and the client communication that keeps work coming back.
How your vocal cords make sound, what vocal cord dysfunction feels like, what causes it, and why speech therapy, not medicine, is the usual treatment.