The Genetic Make-Up of a Great Voice Over Demo
Casting directors and agents weigh in on demo length, file order, format and slating your name. Your first 30 seconds do the work.
Casting directors and agents weigh in on demo length, file order, format and slating your name. Your first 30 seconds do the work.
USB mics are easy and everywhere, but they’ll cap your career fast. A guest post weighs USB against XLR setups for new voice actors.
What a voice over agent actually does, when you’re experienced enough to need one, and the red flags that mark a scam, like pay to audition setups.
A long-time client says they’re going in a different direction. What to ask them, how to re-evaluate your offering, and why you shouldn’t burn the bridge.
The five things every voice actor does daily, and the one thing that actually sets you apart. Plus how to size up your competition on the site.
Four things voice actors miss in auditions, from ignoring the client’s directions to recording levels so low nobody can hear you.
The nine Greek Muses and what each one presides over, plus why a voice actor alone in a booth doing retakes might want one of their own.
Building a home studio costs time and money up front, but it pays off later. A look at the tradeoffs for voice actors weighing the setup.
Five basics for sounding convincing in commercial reads: articulation, tone, tempo, volume, and actually listening back to your own recordings.
A brain scan study of 200 TV ad viewers found stories and emotion stick, hard sells don’t. That’s why so many scripts ask for a natural, light read.